“He’s one of the great directors — 1,000 years from now you’ll be talking about his movies. [On Catch Me If You Can], he said, ‘Experiment with him. Shape this character.’ Steven Spielberg is saying this to me. He’s a legend, and still one of the most kind, generous, good-hearted human beings on the planet. You just never want to be on his bad side.”

Leonardo DiCaprio talks about his experiences shooting Catch Me If You Can with Spielberg.

Fairly downbeat, I know, but here’s one of Spielberg’s most significant mentions of Christmas.

Spielberg’s terrific caper Catch Me If You Can was released on Blu-Ray in the US yesterday. It is, in my opinion, one of the richest and most complex films Spielberg has ever made, mixing a happy-go-lucky exterior with deeply melancholic (and personal) subject matter.
Check out From Director Steven Spielberg’s Catch Me If You Can archive…

Spielberg’s terrific caper Catch Me If You Can was released on Blu-Ray in the US yesterday. It is, in my opinion, one of the richest and most complex films Spielberg has ever made, mixing a happy-go-lucky exterior with deeply melancholic (and personal) subject matter.

Check out From Director Steven Spielberg’s Catch Me If You Can archive

It’s common knowledge that Spielberg had to fight to persuade Daniel Day-Lewis to accept the title role in Lincoln, but it seems the director may have had a little help - from Leonardo DiCaprio.

The actor, who played conman Frank Abagnale in Spielberg’s 2002 film Catch Me If You Can, also appeared with Day-Lewis in Martin Scorsese’s Gangs of New York and, according to Spielberg, he proved a persuasive influence on his former co-star.

Spielberg told USA Today: “Leo DiCaprio was at my house for dinner one night. It was just myself, my wife [Kate Capshaw] and Leo. And he says, ‘Hey, what’s going on with your Lincoln project?’ I told him the sad story. I had one shot at Daniel and he had declined. And that was that. Leo just listened.

“The next morning he called me at my office. He said, ‘Here’s Daniel’s cellphone number, he’s expecting your call.’ Leo has never told me to this day what he said to Daniel. But that began this wonderful journey.”

Janusz Kaminski, who has shot all of Spielberg’s films since Schindler’s List, gives his thoughts on some of his most famous images in this fascinating interview with Vulture.
Minority Report, A.I., Catch Me If You Can and Saving Private Ryan are among the films mentioned, and Kaminski has some very interesting things to say.
Of the above shot from Minority Report, he explains:
“It’s just a gorgeous shot of two lost people. I used a bluish side light, which to some degree glamorized them, but also made them very lonely and alienated from the rest of the scene. You work in metaphors through lights and composition, and the worst thing for me is to see a movie that doesn’t have that. You see a cinematographer’s work and there are no visual metaphors, or they are so afraid to create a style that it just becomes this nothing.”

Janusz Kaminski, who has shot all of Spielberg’s films since Schindler’s List, gives his thoughts on some of his most famous images in this fascinating interview with Vulture.

Minority Report, A.I., Catch Me If You Can and Saving Private Ryan are among the films mentioned, and Kaminski has some very interesting things to say.

Of the above shot from Minority Report, he explains:

“It’s just a gorgeous shot of two lost people. I used a bluish side light, which to some degree glamorized them, but also made them very lonely and alienated from the rest of the scene. You work in metaphors through lights and composition, and the worst thing for me is to see a movie that doesn’t have that. You see a cinematographer’s work and there are no visual metaphors, or they are so afraid to create a style that it just becomes this nothing.”

Theatrical poster for Catch Me If You Can

Theatrical poster for Catch Me If You Can