In the process of putting this blog together I’ve noticed that Spielberg gets attached to a wealth of projects that never come into fruition.
Inkeeping with my aim to make this site a great reference point for all things Spielberg, I thought it would be a good idea to make a full list of all the films he’s been linked with but never actually made.
If I’ve missed any out, please let me know and I’ll add them.
A Steady Rain
It was widely reported in the summer of 2011, that one of Spielberg’s many ongoing projects is an adaptation of the play A Steady Rain. The film would definitely feature Hugh Jackman, who takes one of the leads in the play, though it’s not know if co-star Daniel Craig would join him. Broadway.com writes that the story concerns “two Chicago policeman who inadvertently hand off a young boy to a serial killer who claims to be the child’s uncle. When he later becomes the man’s latest victim, the officers’ friendship is threatened as they struggle to bear responsibility for their failure to assess the situation accurately.”
Ace Eli and Rodger of the Skies
Telling the story of a 1920s stunt flyer, this project was written by Spielberg when he was still directing TV. He showed an interest in directing it, but it never developed into anything serious. The film hit the screen under the direction of John Erman in 1973.
One of the many projects Spielberg has tried to get off the ground with Tom Cruise, this western was mentioned in issue #158 of Empire magazine in August 2002. It cited previous abandoned projects as “the western Arkansas, the F Scott Fitzgerald tale The Curious Case of Benjamin Button [later made by David Fincher] and, most famously, Rain Man.”
Blackhawk is a DC Comics hero created by Will Eisner, Chuck Cuidera and Bob Powell in 1941. He is the leader of a group of fighter pilots called The Blackhawk Squadron.
At some point in the late 70s/early 80s, Spielberg reportedly considered making a film about the character that would have starred Dan Aykroyd in the lead role. Writer Mark Evanier, who reinvented the comic in 1982, explains:
“I believe what happened was that Steve Spielberg was interested in possibly doing something with Blackhawk and somebody even mentioned that Dan Aykroyd wanted to play the character. But I think that was just a pie in the sky, I don’t think there was ever an offer made—that somebody just inquired “Are the rights were available if we want them?” and DC let that leak or it leaked somehow and all of a sudden some other studios went “Hey, maybe we’ll grab Blackhawk if Spielberg thinks it’s hot.” So suddenly DC thought it was advantageous to have a Blackhawk comic back on the schedule.
In 2008, Dreamworks bought the rights to a film adaptation of John Wyndam’s 1968 book Chocky. The BBC explain that the novel “is about a boy who appears to have an imaginary friend, but is actually taken over by alien entity”, a plot that sounds like perfect Spielberg material. The most recent news on the project came in a 2011 report on IMDB which stated that Dreamworks are continuing to develop the film with Spielberg likely to direct.
Spielberg was one of three directors considered for this controversial film about New York’s gay scene. Brian DePalma was also a candidate, but the job eventually went to William Friedkin, who discussed Spielberg’s early involvement with The Huffington Post in May 2013.
The Curious Case of Benjamin Button
A Spielberg/Cruise Benjamin Button project was confirmed by the director in December 2011. Speaking to Entertainment Weekly, he revealed:
“Tom and I had been friends for many, many years. We had considered working together. ‘Benjamin Button’, we had talked about maybe doing together, long before ‘Minority Report’. But nothing quite gelled for either of us.”
Another Cruise/Spielberg project is referenced in issue #67 of Total Film (August 2002): “Among the other projectes these famed multi-taskers are working on, one stands out. It’s an adaptation of Hampton Sides’ book, Ghost Solders, about survivors of the infamous Bataan death march endured by Allied POWs during the Pacific campaign in World War 2.”
Gods and Kings
Spielberg was linked with this ‘Braveheart-esque’ take on the life of Moses in January 2012, and was reportedly very close to signing on as director. However, news ran dry after the initial reports, and in March 2013, it was announced that he was no longer a part of the project.
Growing Up/Clearwater/After School
A project of many titles, this film was to have been directed by Spielberg from a script by Robert Zemeckis and Bob Gale, who wrote 1941. It was to tell the story of Spielberg’s youth in Arizona, but never got off the ground. E.T., which is also strongly based on Spielberg’s childhood, put the final nail in Growing Up/Clearwater/After School’s coffin.
Spielberg was offered the chance to direct the first Potter adventure, but declined because the project would have felt too much like treading old ground.
Digital Spy reports: “I just felt that I wasn’t ready to make an all-kids movie and my kids thought I was crazy. And the books were by that time popular, so when I dropped out, I knew it was going to be a phenomenon.
“But, you know I don’t make movies because they’re gonna to be phenomenons. I make movies because they have to touch me in a way that really commits me to a year, two years, three years of work.”
In a 2001 post on Hollywood.com, he adds: “I purposely didn’t do the Harry Potter movie because for me, that was shooting ducks in a barrel. It’s just a slam dunk. It’s just like withdrawing a billion dollars and putting it into your personal bank accounts. There’s no challenge.”
And what would Spielberg’s take on Potter have been? Shorter and animated, according to then-Warner Brothers president Alan Horn.
“I did think it would be worthwhile for Steven Spielberg to direct. We offered it to him. But one of the notions of Dreamwork’s and Steven’s was, ‘Let’s combine a couple of the books, let’s make it animated,’ and that was because of the [visual effects and] Pixar had demonstrated that animated movies could be extremely successful. Because of the wizardry involved, they were very effects-laden. So I don’t blame them. But I did not want to combine the movie and I wanted it to be live action.”
In August 2009, Spielberg was attached to an adaptation of the play Harvey (also memorably made into a James Stewart film in 1950). Will Smith, Robert Downey Jnr and Tom Hanks were reportedly considered for the Stewart character, but the project was abandoned by December of the same year.
I’ll Be Home
An autobiographical project that’s been in the works for years and sounds a little like E.T without E.T. From an interview with Empire #158 (August 2002):
“Empire: ‘Will you ever get around to your autobiographical project, I’ll Be Home?’
Spielberg: ‘Some day. I don’t know when, but some day. It’s very personal, that’s what scares me the most…I’m not ready to go public yet.’”
There are many Indiana Jones adventures that never made it to the screen, but this is one of the most interesting. Before pre-production on Temple of Doom got underway, author Michael Crichton approached Spielberg with the idea of basing Indy’s second adventure on his book, Congo.
In his biography of the director, John Baxter writes: “After Spielberg’s failure to float Congo with [Brian] De Palma, [Crichton] suggested it as an Indiana Jones episode. He pointed out that one of the book’s most original inventions, a baby gorilla given the power of speech through a computer strapped to its back, was a perfect foil and sidekick for Indy.
‘Steven…thought [the talking gorilla] could be done with a mechanical ape,’ Crichton recalls. ‘But I said that you can do that with E.T. because we’ve never seen anything like him, but everyone knows what a gorilla looks like - and if it looks fake, you’re dead. It’s in every scene.’
‘He said, ‘Well, I’ve had a lot of success with mechanical animals.’ I replied, ‘You sure have! I’m not going to argue with you, Steven, but I think you have to look carefully.’ And the next thing I knew, he wasn’t doing the picture. So that presented a tremendous problem back in those days.’
“In fact, the project was discussed at Lucasfilm, but Lucas preferred all Indy’s adventures to be based on new stories.”
Spielberg and Crichton would work together in the 1990s on Jurassic Park and its sequel, The Lost World: Jurassic Park, as well as long-running medical TV show E.R.. Congo was made in 1994 with Spielberg collaborators Kathleen Kennedy and Frank Marshall producing.
In the works since 2006, this is a sci-fi epic based on the work of physicist Kip Thorne. According to Time Out, it concerns “a group of explorers who travel through a worm hole in space and enter another dimension”. Jonah Nolan was hired to script in 2007, but despite plenty of reports that the film would be Spielberg’s next project, Interstellar slipped into development hell. It re-emerged in January 2013, when it was announced that Christopher Nolan was considering directing the picture.
The Mask of Zorro
Spielberg briefly considered directing this Dreamworks production, but opted instead to helm Saving Private Ryan. Stanley Kubrick advised his friend to hire Spanish director Julio Medem, but he rejected the opportunity and the job eventually went to Martin Campbell.
Following the success of Close Encounters of the Third Kind, Columbia were hoping Spielberg would direct a sequel. Spielberg himself wasn’t keen to direct, but suggested putting a script together and hiring an up-and-coming director to helm.
Writer John Sayles, who had impressed Spielberg with his script for Joe Dante’s Jaws-inspired Piranha, took on writing duties, but the film ultimately fell through.
It would have been an altogether darker film, telling the story of a family who are terrorised by alien visitors, and Spielberg didn’t feel ready to tell such a story. Elements of the project made their way into E.T., Poltergeist and - possibly - War of the Worlds.
Spielberg and Will Smith considered filming Nobuaki Minegishi’s manga Oldboy in 2008/09. The story had been made in 2003 by Park Chan-wook, but Smith told Film School Rejects that he and Spielberg’s film would not be a remake. “We’re looking at that right now. Not the film though, it’s the original source material. There’s the original comics of ‘Oldboy’ that they made the first film from. And that’s what we’re working from, not an adaptation of the film…”. Spielberg and Smith eventually dropped the project and it now resides with Spike Lee.
Spielberg spent five months working on a script for the Tom Cruise/Dustin Hoffman-starring drama before pulling out to honour his agreement with George Lucas to direct a third Indiana Jones film. Spielberg passed all his notes on to Barry Leveson and the film went on to win Best Picture, Best Director, Best Actor and Best Original Screenplay at the 1989 Oscars.
Empire #184 (October 2004) makes reference to three films that were intended to be put into production after The Terminal: “In the future, there’s the large scale War of the Worlds epic, The Rivals with Nicole Kidman and Gwyneth Paltrow and the ongoing adventure of Indy IV.”
This projects seems to have disappeared. According to Contact Music it would have been a period piece about, “the rivalry between 19th century stage stars, SARAH BERNHARDT and ELEONORA DUSE - who competed in their careers as well as in social circles and romantically.
More youthful than Bernhardt, Italian-born Duse became a threat to the older actress and, as the rivalry escalated, both would play the same part on the same night to allow critics the chance to compare their performances.”
Something Wicked This Way Comes
In the late 1970s/early 1980s, Spielberg was interested in filming Ray Bradbury’s story of a sinister circus which threatens to invade a small town. The project never got beyond the initial stages though and, like Night Skies, elements of it likely made their way into E.T. and Poltergeist.
Detailing another Spielberg/Cruise project, Total Film #67 (August 2002) wrote: “More recently, a project calles Spares - about human clones - was considered.” This would have been based upon the Michael Marshall Smith novel of the same name, which Wikipedia describes thus: “a novel in which the lead character, Jack, goes on the run with clones who are used for spare body parts for rich people, when he realises they are people with feelings.” This project seems to have been dropped, and Wikipedia adds that Smith believes the novel will never reach the screen.
St Agnes’ Stand
This was to be a Martin Scorsese film that Spielberg would produce. Normally productions won’t make it onto this page, but the prospect of a Scorsese/Spielberg collaboration is too good to resist. In April 2003, EW reported that an adaptation of Thomas Edison’s novel St Agnes’ Stand was on Scorsese’s slate. It was to be written by Charles Randolph (The Life of David Gale) and would tell the story of “a wounded fugitive who finds himself aiding a wagonload of nuns and orphans, who’ve prayed to be rescued from Apache Indians.” The film appears to have been abandoned.
Star Wars: Episode VI: Return of the Jedi
Spielberg was one of a number of directors George Lucas considered for Return of the Jedi, but he had to decline due to the dispute Lucas had with the Directors Guild of America at the time. David Cronenberg and David Lynch were also in line to direct the film before it went to Richard Marquand.
The Trial of the Chicago 7
This was highly anticipated when it broke, largely because it would have marked the first collaboration between Spielberg and The West Wing writer Aaron Sorkin. The film would have been based on the famous Chaicago Seven, who in 1970 were found not guilty of conspiracy and incitement to riot with relation to the protests that took place in Chicago at the 1968 Democratic National Convention. Sacha Baron Cohen, Will Smith, Philip Seymour Hoffman and Heath Ledger were rumoured to star at one time or another, but the WGA strike meant Spielberg couldn’t start shooting in April 2008 as intended and he eventually put the project on hold.
Paul Greengrass has since been attached as director, but the film shows no sign of resurfacing.
Unnamed Love Story Project
In an interview with Empire (issue #164, February 2003), Spielberg very briefly mentioned having “two love stories in development right now”. Nothing has been heard of either since.
Unnamed Musical Project
Spielberg has often spoken of his desire to make a musical, but the closest we’ve got so far is the opening of Indiana Jones and the Temple of Doom:
“I think if I make a musical it will be criticised for being a Luddite attempt at a genre long dead. I want to go back to the 40s and Minelli and Stanley Donen.” (Empire #164, February 2003)
“I’ve always wanted to make a musical. Not like Moulin Rouge though - an old-fashioned, conservative musical where everyone talks to each other, then breaks out into song, then talks some more. Like West Side Story or Singin’ in the Rain. Yeah, I want to make a musical. I’ve been looking for one for 20 years. I just need something that excites me.” (Total Film, September 2004)
The earliest mention of a musical project I can find comes in a 1982 interview with Premiere magazine’s Susan Royal. Royal asks Spielberg if he would like to make a musical and he replies: “Funny you should mention that. I’m planning one right now. Quincy Jones and I are developing it. I’ve got to be secretive about it, though. I never really discuss my ideas until they’ve been fully realised usually in scope and stereophonic sound. I’m a big fan of Quiny’s. I thought this would be a perfect opportunity to combine what he does best with what I do well and make a ‘dangerous’ movie.”
Spielberg and Jones would eventually work together on The Color Purple, for which Jones wrote the score.
A remake of the 1947 Norman McLeod comedy The Secret Life of Walter Mitty has long been in the works. Jim Carrey has been linked with the lead role since 1994 and he would have starred in Spielberg’s version, which the director agreed to helm in May 2003. He left the project in April 2004 to film War of the Worlds and Munich. Ben Stiller has since been announced as the dirctor of the still ongoing remake.
Before choosing The Sugarland Express, Spielberg was considering directing Burt Reynolds vehicle White Lightning as his first theatrical release. In a 1978 interview with Mitch Tuchman of Film Comment, Spielberg explained: “The one thing that came to me that I almost made was White Lightning, the Burt Reynolds picture. I spent two-and-a-half months on the film, met Burt once, found most of the locations and began to cast the movie, until I realised it wasn’t something that I wanted to do for a first film. I didn’t want to start my career as a hard-hat, journeyman director. I wanted to do something that was a little more personal.”